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Basics for Sewing
Window Coverings
Tips for Choosing Fabric | Different Styles
of Window Treatments | Curtain Rods & Other Pretty
Things | Measuring
Up | Special Measurement Considerations
| Estimating Meterage | To
Line or Not to Line | Cutting Panels Without
Pattern Repeat | Cutting Panels With Pattern Repeat |
Joining Panels | Joining
Panels Eliminating Center Seams |
Tips for Choosing Fabric
Fabrics for window coverings can be solid or
multicoloured, plain or patterned, textured or smooth, transparent or
opaque. They an match or coordinate with upholstered pieces or
existing wallpaper.
When selecting fabric, colour and trim of your window
treatment, pay particular attention to how your choices coordinate with
three elements in the room: the wall treatment, the floor covering, and
the largest piece of upholstered furniture.
Solids that blend in with the wall treatment are restful to
the eye; solids that contrast add a direct design accent. If in
doubt, tone down your colour choice. You can always brighten it up
by adding trim, tassels, fringe, ribbon, lace, braids, borders, or
interesting tiebacks. Adding trim at a later stage is easier and
more economical than replacing a finished window treatment because the
fabric or colour is not suitable.
Patterns and prints can be used to draw the eye away from
any unappealing design features in the room, or they can be used to unify
a collection of solids.
To give your decor a unified look, consider repeating the
print somewhere else in the room. For dramatic effect, repeat it in
another large area, such as wall coverings, slipcovers, or bed
linens. For a more subtle effect, use leftover fabric to trim one of
these large areas or for small accent pieces, such as throw pillows.
If the fabric has a motif that must be matched and you
have used a companion wall covering, be sure to plan the window treatment
so that the motif matches in an unbroken repeat around the room.
Fabrics, like people, have personalities. Some are
very formal, while others impart a more casual air. Think about the
impression you want the room to convey, then choose a fabric for your
window treatment that is compatible with its message.
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For Formal Settings, consider these fabrics:
Brocade, Chambray, Damask, Faille, Lace, Moiré, Shantung, Silk,
Velvet, or Velveteen. |
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For Informal Settings, use these fabrics:
Bouclé, Chintz, Cotton sateen, Linen, Seersucker, or
Sheeting. |
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For a Casual Setting, select one of these
fabrics: Broadcloth, Burlap, Canvas, Corduroy, Denim, Gabardine,
Gingham, Monk's cloth, Muslin, Poplin, Sailcloth, Suede cloth,
Ticking, or Tweed. |
Buy the best-quality fabric that your budget will
allow. Your window treatment will last longer and look better.
Don't skip on fullness. An expensive fabric will
loose its richness if the treatment is not full enough. An
inexpensive fabric will look lusher if the fullness is generous or if the
curtains or drapes are lined.
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Different Styles of Window Treatments
Curtains & Draperies
Curtains versus Draperies Curtains are installed on stationary
rods and generally have gathered, smocked, or ruffled headings.
Draperies are more tailored and have pleated, smocked, or gathered
headings. They are attached to traversing rods with special pin
hooks. They also can be installed on flat curtain rods by hooking
the pins over the rod. This type of window treatment is constructed
like a drape but it functions as a stationary curtain.
Bishop Sleeves are an elegant window treatment that is simply a
rod pocket curtain with extra length allowed for blousing. The
bishop sleeve look is achieved with tiebacks pulling the curtain tight to
the window frame. Any number of poufs may be used. Arrange and
tie the poufs at a position that is in proportion to the window length and
width. As well, additional fabric may be added to create soft
drapery folds on the floor, called a "puddle".
Cafe Curtains are made of a piece of fabric stretched between
two thin rods: one at the top and one at the bottom. Typically
pleated, cafe curtains can be mounted to either the inside or outside of a
window frame. Because cafe curtains attach to the frame at both the
top and bottom, they are an excellent choice for adding privacy to a
French door. Cafe Curtains are also excellent for dressing up a
decorative screen. A scalloped heading is a popular top treatment
for café curtains that features semicircular spaces between the curtain
rings.
Cottage Curtains are a combination of café
curtains and tieback curtains. The café curtains cover the lower
part of the window with the tieback curtains over them.
Draw Draperies are any drapery treatment designed
for use with a traverse rod, creating a window covering that can be drawn
to open or close, either from both sides to the center (center draw) or
from one side to the other (one-way draw).
Grommet-top Curtains are similar to tab-top curtains, except
that they are hung from eyelets sewn into the fabric at the top.
Grommet-top curtains can be hung either by threading a rod through the
grommets (which can look quite contemporary), or by attaching decorative
hooks to the grommets for a more traditional look.
Hand-Drawn Draperies are a drapery treatment that
are pulled open or closed by hand or with a baton.
Hourglass Curtains take their name from their shape. They
are held taught between sash rods at the top and bottom of the
window glass, and then pulled in at the center to create the hourglass
shape. Use tension rods, instead of sash rods, for mounting inside a
window frame. Because these curtains are held tight to the glass,
they are a practical treatment for doors. They also work well on
windows where there is not room for a return. They allow sunlight to
get in and, for extra airiness, are attractive in lace and sheer fabrics.
Overdraperies are the topmost drapery in a double
or combination drapery treatment.
Pinch Pleated Draperies are a popular treatment for windows
because draperies open to let light in, and close for privacy. The
pleats are spaced at intervals to control the fullness of the
drapery. The more fabric that is pleated into the drapery panels,
the fuller the draperies become.
Pocket Rod Curtains are curtains with a pocket sewn at the top
where a rod can be inserted. Because they tend to look very crisp
and tailored at the top, they're much more formal than other types of
curtains. Rod-pocket curtains are typically mounted outside the
window frame.
Priscilla Curtains are a pair of extra-wide,
ruffled tieback curtains hung on crisscross curtain rods so the panels
crisscross in the center. They are often used with an attached
valance.
Tab-top Curtains are flat curtain panels that hang from a
decorative rod by tabs (which can be of varying lengths). Tab-top
curtains tend to be more casual than other types of curtains and are often
mounted outside the window frame.
Tie-top Curtains feature short lengths of fabric at the top that
are used to attach the curtains to the curtain rod. Because tie-tops
are the most informal-looking of curtains, they work best with informal
fabrics, especially sheers.
Tent-flap Curtains require a minimal amount of fabric and
provide a tailored, uncluttered look. Choose two fabrics that complement
each other for the outer fabric and the lining. The lining is just
as important as the outer fabric.
Sash Curtains are any sheer material hung close
to the window glass. Usually hung from spring tension rods or sash
rods mounted inside the window casing.
Shirred Curtains are any curtain gathered onto a curtain
rod, but the term is frequently used for curtains gathered onto rods at
both the top and the bottom edges.
Tiered Curtains are usually café curtains hung
in two or more tiers with the top curtains slightly overlapping lower
curtains.
Valances
Valances are simply shorter curtains, draperies, or soft shades,
usually about a foot long, that
hang over the top edge of curtains. Valances can be hung on their
own or in pairs in a tall window where one set is hung at the top and one
set in the middle. They are also a simple way to dress up a set of
tab-top curtains.
If you want to hang a valance directly above a curtain or drape, look
for double curtain rods and combination traverse and valance rods.
These rods are installed on one set of brackets and have the necessary
clearance built in. In a similar vein, triple rods are the easy way
to hang valances, drapes, and undercurtains.
Austrian Valances are a shortened version of the elegant
Austrian Shade, characterized by vertical rows of shirring, horizontal
gathers, and soft scallops at the lower edge. Sheer and soft fabrics
work best for this treatment, which is often trimmed with fringe.
The valance is unlined to gather and drape beautifully.
Balloon Valances are pleated valances that appear to
"puff" out like a balloon, and are generally used to dress up a
plain curtain rod.
Cloud Valances are a short variation of the cloud shade, with
gentle poufs or scallops across the bottom and a shirred heading at the
top. It can be shirred on a flat curtain rod or Continental rod,
made with shirring tape and attached with hooks through the shirring tape
to a curtain rod, or attached to a mounting board.
Festoons are decorative valances made of folded
fabric that hangs in a graceful curve over the window.
Pouf Valances are variations of soft cloud or balloon shades,
made by shirring fabric on two curtain rods. The double pouf valance
uses three curtain rods. for deeper headings and taller windows,
Continental rods may also be used for pouf valances.
Tapered Valances are often used over mini-blinds and pleated
shades to soften the severe lines, or with shorter café curtains for a
comfortable, casual look. They are usually lined when print fabrics are
used, because you see the wrong side of the fabric as it cascades down the
side of the window. If the lower edge has a ruffled finish, however,
it does not have to be lined because the fall of the ruffle hides the
wrong side of the fabric. Lightweight or sheer fabrics are also good
choices for a ruffled valance, and do not require lining.
Shades
Austrian Shades are fabric shades that rise and lower in soft
scallops by means of a series of tapes that are threaded through a series
of rings.
Balloon Shades are a variation of the Roman Shade. It has
inverted box pleats which give it a formal flatter look and it tends to
bunch forward when pulled up. It
provides a soft gentle window covering that is easy to install.
Reverse Roll-Up Shades are a practical, tailored shade covering
the window frame and hanging from a rod inside a padded cornice. The
contrasting lining that rolls to the outside of the shade is fused top the
shade fabric.
Roman Shades are mounted on a board attached to the top of the
window. A lattices strip inserted through a pocket at the lower edge
of the shade provides the necessary weight.
Russian Shades are similar to Balloon Shades, but the Russian
Shade has a shirred or rod pocket heading, which gives a softly gathered
look to the shade as it operates up and down.
Swags
Swags are large pieces of fabric that are hung either above or
on top of the curtains themselves. They are usually attached to a mounting
board, although a more informal look is to drape a swag over a wooden or
decorative pole, or pulled through a decorative sconce. These valance treatments are draped into soft
graceful folds that take on the shape of a half circle. Swags can be used
singly to accent a small window or in multiples (usually an odd number) to
become a dominant design theme. All swags should be lined.
Jabots are window treatments that consist of a tapered width of
fabric that can be self-lined or contrast lined. It is pleated and
used as a frame on each side of a row of Swags. Jabots should be
1/3, 2/3 or the full length of the window frame. Do not use
regular drapery lining on jabots, it will show as pleats fold back.
Flags are double sided Jabots used in the center of a swag
treatment or in corners when swags are installed in a bay window.
Flags are usually 5" (13cm) to 7" (18cm) longer than
swags. As for Jabots, do not use regular lining on Flags.
Cascades are soft unstructured Jabots that
consist of fabric draped lengthwise in a zigzag fashion, usually
ending in a point. Finished length and
fabric requirements are the same as for Jabots.
Throw Swags are made up of fabric draped over a
wood pole or café rod . Other types are constructed in several
sections, but look like one continuous piece.
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Curtain Rods & Other Pretty
Things
There are adjustable tracks and rods that will accommodate any style
curtain or drape or any weight fabric you desire. Curtain rods are the
easiest to install and work with.
Here are some tips for installing hardware for your window treatments:
 | For curtain rods and conventional traverse rods, generally the best
installation is one where the top of the rod rides even with the top
of the molding. |
 | For a decorative rod with rings, install the brackets so that the
rod will be parallel with the top of the window frame and the lower
edges of the rings are ¼" (6mm) above the top of the
molding. When the window treatment is installed, the molding
will be completely covered. |
 | For inside lengths where the rod will be hidden by the fabric,
install the rod so it is even with any exposed wood. |
Window Treatment Hardware
Brackets are metal pieces that are
attached to the wall or casing to support a drapery, curtain rod, blind,
or shade.
Café Rings are clip-on or sew-on
rings used to hang café curtains.
Cafe Rods are decorative curtain rods, with or without rings,
and available in many finishes, including wood, brass, enamel, and wrought
iron.
Center Supports are metal grips used
to support traverse rod or vertical blind tracks from above. It
helps prevent the rod from sagging in the middle, but does not interfere
with the operation of the rod or blinds.
Clear Plastic Rods for sheer and lace curtains do not show
through and detract from the fabric.
Combination Rods are two or three
rods on one pair of brackets, used to create layered window
treatments. Combination sets can include traverse only, both
traverse and curtain rods, and several curtain rods.
Conventional Curtain Rods are narrow, flat metal rods used for
outside mounts. The rod should be completely hidden in the pocket
casing.
 | Single Curtain Rods are used for rod pocket curtains and
stationary window treatments. These rods are available with a
clearance from 2" to 5" (5cm to 12.5cm). A special
canopy rod has a clearance of 7½" (19.3cm). |
 | Double Curtain Rods consist of two rods with 1" (2.5cm)
difference in the clearance to hand a valance and a curtain on the
same mounting. |
Continental Rods are wide, flat curtain rods that add depth and
interest to rod pocket treatments. Common widths are 2 ½"
(6.3cm) and 4½" (11.5cm).
Cord-controlled Traverse Rods are available in both decorative
and conventional styles:
 | Conventional Traverse Rods may be purchased as two-way draw
(for drapes that part from the center), one-way draw. Also
known as Ringless Decorator Traverse Rods, these rods are used
for pinch pleated draperies that have slides concealed in the rod for
a clean, contemporary look. The top of the drapery skims the
lower edge of the rod. |
 | Decorative Traverse Rods are all two-way draw. However,
you can convert them to one-way draw by following the manufacturer's
directions included in the package. |
Corner Brackets convert rods to a continuous right angle for
corner window installations.
Cornices are
custom-built boxes without backs that cover the top of the window. They
are designed to keep a curtain rod from showing and may be stained,
painted, or upholstered to match a window treatment. The lower edge
of a cornice may be cut straight or cut into a decorative
shape.
Decorative Holdbacks are decorative hardware
mounted to the side of the window to hold swags or to hold back drapery
panels. Available a variety of styles and sizes, you're sure to find
ones that suite your décor.
Drapery Hooks are available in either pin-on or
slip-on hardware and are used to hang draperies from rods.
End Brackets are two adjustable metal grips that
hold a drapery rod or vertical track to the wall or ceiling and control
the amount of projection. Also, supporting brackets are used to
install pleated shades.
Extender Curtain Rods are pieces of curtain rod
that fit onto another rode to lengthen it.
Finials are decorative end-pieces of a decorative
traverse or café curtain rod.
Lambrequins are decorative wood frames built
around the top and sides of a window to create a larger, more impressive
window treatment. It is often padded and covered with fabric.
Master Carriers are the lead carriages of a
traverse rod. They contain two arms that overlap in the center,
allowing the draperies to overlap slightly and close completely.
Multiple-Draw Rods allow each panel of a pair of
draperies draw independently.
One-Way Draw Rods are traverse rods on which
draperies pull from one side to the other. The drapery panels stack
on one side when open.
Ring and Pole Sets are decorative rods, generally wood, designed
so that curtains or drapes can be hand drawn across the window.
Sash Rods are flat or round rods with shallow mounting
brackets. They are most often used on doors and other areas where a
sheer or lightweight curtain is installed close to the glass.
Sconces allow you to create a beautiful swag drape in minutes
by simply pulling fabrics through the openings of two or more
sconces. Another alternative is to insert a pole (up to 1 3/8" size
diameter) through the sconces then drape fabric over the pole to create an attractive curtain.
Slides are the small runners installed in a
traverse rod that holds a drapery pin or hook.
Spring Tension Rods are used to install curtains and valances
inside the window frames. They do not require any type of brackets
or mounting screws.
Stack Back is the space required for draperies
when they are completely open.
Swag Holders are heart-shaped holders that allow
fabric to be secured in a pouf fashion. They provide support for loosely
draped treatments such as a throw swag.
Tension Pulleys are pulley attachments through
which the traverse cords move when the drapery is drawn. It ensures
one continuous, smooth operation. It may be mounted on a baseboard,
casing, or wall on one side or both sides of the window covering.
Tiebacks, Holdbacks and Scarfholders are decorative drapery
hardware designed to hold draperies off to the sides of the window.
They are also used to hold scarves, and to create swag treatments.
Many styles, both plain and decorative, are available so
they can be dramatic or inconspicuous. They can repeat an existing
design detail or bring an entirely new dimension to your curtains.
Hang the curtain first; then decide on the style and placement of the
tiebacks.
Trimmings for window coverings are usually
decorative braid, fringe, tassels, cord, gimp, and other fabric trims used
as an accent on curtains, draperies, or tiebacks.
Two-Way Draw Rods allow the draperies hung from
them to pull closed from both sides to the center. It is also called
a center draw.
Unfinished Wood Pole Sets, plain or fluted, can be painted to
match the curtain fabric for a custom touch.
Weights are made of lead or metal and used to
help draperies and fabric vertical blinds hang properly.
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Measuring Up
Window coverings are more than mere dressing for your windows. They
filter sunlight, add privacy, or block a chilly winter draft.
Consider both form and function, to devise unique solutions for all your
decorating demands. Your creativity is your only limit!
Once
you select a style, the next step is measuring your window. Here is
a diagram that shows all the measurements that you may need to take.
Be sure to take the measurements that are relevant for the style you have
chosen. For example, if you are planning to make a shade, you need
the inside molding measurement, from side to side, and from top to sill.
Use a folding ruler or a metal tape for measuring; cloth tapes may
stretch or sag. Measure and record the measurements for all windows
separately, even if they appear to be the same size.
In order to calculate your fabric meterage, you need to compare your
window measurements with those given in the instructions for the design
you wish to make. Patterns often include formulas to help you
calculate your meterage. Read through the cutting instructions first;
knowing how the fabric is cut is another key to figuring your meterage.
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Special Measurement Considerations
Allow 1.3cm (½") clearance between the bottom of the drapery and
the floor when measuring for floor-length draperies. This amount
allows for cleaning and vacuuming, and provides sufficient clearance for
electrical chords. Also, if draperies sag or if the floors are uneven, draperies will not drag on the floor. Allow
2.5cm (1") clearance for loosely woven fabrics. This amount will
provide an extra margin for them to stretch slightly without dragging on
the floor. Allow 1.3cm (½") clearance on sliding glass doors; more
than this amount may let light gap at bottom. Allow
10cm to 15cm (4" to 6") drapery clearance above baseboard heaters for safety. Allow
6.5cm (2½") clearance if carpeting is not installed. This
amount provides approximately 5cm (2") for carpeting and padding,
plus 1.3cm (½"). Underdraperies should be
2.5cm (1") shorter, 1.3cm (½") at top and bottom so they do not show under the outer
draperies. Use the highest window in the room as a standard for
measuring if windows are at different heights. Place all other
draperies in the room at the same height from the floor. Top
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Estimating
Meterage
After deciding on the window treatment, install the
appropriate hardware and then measure for curtains, draperies, shades, or
top treatments. You will then need to determine the finished length
and width of the treatment. The finished length is measured
from the top of the heading or casing to the bottom of the hem. The finished
width is the width of the rod plus returns, and overlap for
draperies.
To determine the cut length and width, add
the amounts needed for hems, casings, seams, matching repeats, and
fullness. Print out and fill in a copy of the chart on our
Estimating Meterage page.
Pinched pleated draperies require special measurement
consideration for determining length and width and estimating fabric, so
we have included a separate page for these draperies.
Determine Cut Length
Measure from the top of the rod to the desired
length. To this length measurement, add the amount needed for lower
hems, rod pockets, headings, and pattern repeat.
Lower hems: Add double the desired hem to finished
length. For mediumweight fabrics, use a 10cm (4") double hem on
floor-length curtains or draperies; add 20.5cm (8") to the
length. For sheer and lightweight fabrics, a deeper double hem of
12.5cm to 15cm (5" to 6") may be used. On short curtains
or valances, use a 2.5cm to 7.5cm (1" to 3") double hem.
Rod pockets and headings: For rod pockets
with no heading, add an amount equal to the diameter of the rod plus 1.3cm
(½") to turn under and 6mm to 2.5cm (¼" to 1")
ease. The amount of ease depends on the thickness of the fabric and
the size of the rod. Lightweight fabrics require less ease; rod
pockets for large rods require more. For rod pockets with headings,
use the formula for a rod pocket, adding it to an amount twice the depth
of the heading.
Pattern Repeat: Prints must match across the
width of the panels. Measure the distance between the motifs, and
add that amount to the cut length of each panel.
Determine Cut Width
To the finished width, add the amount needed for seams,
side hems, and fullness.
Seams: For multi-width panels, add
2.5cm (1") for each seam. Panels that are not wider than the fabric do
not require an extra amount for seams.
Side Hems: Add 10cm (4") per panel for a
2.5cm (1") double-fold hem on each side of the panel.
Fullness: Fabric weight determines
fullness. For laces and medium to heavyweight fabrics add 2 to 2½
times the finished width of the curtain. For sheer and lightweight
fabrics, add 2½ to 3 times the finished width.
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To Line or Not to Line
Adding a lining to either curtains or drapes is both a practical and
aesthetic decision.
 | Medium- and heavyweight fabrics have a richer appearance if they are
lined. The folds appear softer and deeper. |
 | Linings cut down on the amount of light, noise, and dust that filter
through the window. |
 | Linings give windows a unified appearance on the outside. |
 | Drapery lined with black-out lining keep cold air out in the winter
and hot air out in the summer. |
 | Opaque linings provide guaranteed darkness for late or day time
sleepers. |
 | Lining protects the curtain fabric from the damaging effects of
sunlight (fading). |
 | As a general rule, unlined curtains and drapes should be cut fuller
than lined versions. |
The most common lining fabric is white or off-white. However, any
plain fabric of similar weight, such as sheeting or unbleached muslin, can
also be used.
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Cutting Panels Without Pattern Repeat
Wherever possible, matching the pattern repeat has been avoided, as in
most styles where the seams are not visible.
- Lay out as much of your fabric as will fit on the cutting table or
any large flat surface. Place a carpenter's square parallel to
the selvedge and trim the raw edge straight.
- At both sides, measure from the raw edge your required length,
mark with tailor's pencil. Cut along the mark.
- Repeat step 2 for required number of panels.
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Cutting Panels With Pattern Repeat
Some patterned fabrics have a pattern that repeats. Be aware of
this because it will help you create a window dressing with a professional
look.
If your window dressing requires multiple widths of fabric, you must
note your pattern repeat when figuring your yardage and when cutting.
- Lay out as much fabric as will fit on the cutting table or any
large flat surface. Rather than follow the grain of the
fabric, locate a pattern that is repeated across the fabric. Cut
along the design.
- At both sides, measure from the raw edge your required length, mark with
tailor's pencil and cut along in a straight line.
- Repeat step 2 for required number of panels.
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Joining Panels
- With right sides together and beginning at the top, stitch
1.3cm (½") form the selvedge. Repeat until all the
panels are joined together to form one piece.
- Trim off selvedges and serge raw edges together, or finish with a
zigzag stitch.
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Joining Panels Eliminating
Center Seams
This procedure is only necessary when using an even number of panels.
- Split one pane in half vertically.
- With right sides together and beginning at the top, at the
selvedges join one half panel on the left side and one on the right
side of the center panel. This will eliminate a seam in the
center of your valance.
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